3 reasons full-length books are a better experience than short stories

Reading a book is an experience and a journey.

We take the story the author has laid down for us, and the context and framework she has created, and fill it out with our imaginations.

This is one of the key differentiators – why even a ‘frivolous’ thriller or ‘flaky’ romance novel is better than nearly any other type of entertainment. We are actively constructing the world in our heads. It’s our creation, our masterpiece – built on the framework and story the author provides.

The author might paint an exquisite framework – a lonely alley in 1865 London with a Vampire possibly hiding in the shadows. However, it’s just a framework. It’s we the readers who fill it out. What the alley looks like. What it feels like. The sights and sounds and smells. The feeling of fear. The Vampire.

This is why no movie based on a book ever measures up to our expectation of the book. The best director in the world can’t compare to the worlds we have created for ourselves. All the limitations he faces – just don’t exist in our imaginations.

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Which brings us to why full-length novels are much better than short stories and novellas.

A full-length novel does three things – it gives us enough time to fully flesh out the story in our heads, it allows us to fully connect with and feel for the characters (to develop an attachment to them), it allows us to step fully into the world of the book.

The first is all about submodalities and the fineness of the story-painting in our heads. With a short story we have ended before we have formed the images fully in our heads. The protagonist is a paper cutout instead of a person, the city is a movie-set instead of a living, breathing city. A full-length book allows us to create the world fully and fill it with the submodalities we like and imagine.

The second is about the characters. Over the course of a full-length novel we develop an attachment to the main characters. We understand them better. We think about their motivations and worry about them or hope they get their just desserts. They start morphing into people – people we wonder about and people we want to read more about.

The third is the experience of stepping out of our world and stepping into the world of the book. With a short story, by the time you begin to step from the cold, foggy street into the warm comfort of the house – the house has vanished. You’re left in the void between your own world and the beautiful, compelling world you were creating while reading. A full-length book lets you go further and further into the world. This is why we don’t want to leave a good book in the middle. It’s a world and a story that we are creating/building - one that literally draws us in.

This act of creating worlds in our heads. The passion and skill and actual effort involved in fleshing out all the details and creating something of our own. It’s Participation. Life is a Participation sport.

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On the passing of Project Gutenberg’s Founder

Mr. Michael S. Hart, the founder of Project Gutenberg, died on September 6th, 2011. You can read the Obituary at Project Gutenberg.

Project Gutenberg is a really amazing website/resource and here are some of the things I’m very thankful for -

  1. Lots and lots of great books – for free.
  2. Very readable versions with relatively few mistakes. Which is more than can be said of books built via Optical Image Misrecognition and even of most published ebooks.
  3. They are free. Actual Free. Not ‘if you use it, whatever you make from it has to be free’ free. Not ‘we will show you ads’ free. Not ‘you have to subscribe to our particular Internet religion’ free. Just plain free.
  4. They cover the most often read books. 36,000 free books seems to be dwarfed by the millions that various sites claim. However, 80% of the public domain books you will want to read are probably at Project Gutenberg, and they are in excellent shape.
  5. Project Gutenberg and other similar sites like ManyBooks have played a huge role in the rise of ebooks and eReaders. The benefit of being able to get all the classics for free on an eReader is huge.

Here’s one interesting snippet from the obituary -

Hart was inspired by his parents, both professors at the University of Illinois, to seek truth and to question authority. One of his favorite recent quotes, credited to George Bernard Shaw, is characteristic of his approach to life:

 "Reasonable people adapt themselves to the world.  Unreasonable
 people attempt to adapt the world to themselves.  All progress,
 therefore, depends on unreasonable people."

And here’s another -

In July 2011, Michael wrote these words, which summarize his goals and his lasting legacy: “One thing about eBooks that most people haven’t thought much is that eBooks are the very first thing that we’re all able to have as much as we want other than air. Think about that for a moment and you realize we are in the right job.” He had this advice for those seeking to make literature available to all people, especially children:

 "Learning is its own reward.  Nothing I can
 say is better than that."

Project Gutenberg has played, and continues to play, a huge role in a lot of important areas. It’s hard to understate just how important it is for books and reading and for the future of books and ebooks. Mr. Michael Hart has done something absolutely incredible with Project Gutenberg. Hopefully people continue to do amazing things like this.

A Quick Look at Indie Authors currently in the Kindle Store Top 100

This is a list of authors who have self-published their books and made it to the Top 100. Unless otherwise specified the books are rated 4 stars or 4.5 stars.

  1. Simon Wood – Accidents Waiting to Happen is $1 and at #3, The Fall Guy is $1 and at #52. 
  2. Pat Gragg – The Rose Killer is $1 and at #6,
  3. Courtney Milan – Unlocked is $1 and at #9.
  4. J Carson Black – Darkness on the Edge of Town is $1 and at #10, Dark Side of the Moon is $1 and at #97. 
  5. Erin Kern – Looking for Trouble is $1 and at #15,
  6. Michael Prescott – Shiver is $1 and at #18, Mortal Pursuit is $1 and at #28, Stealing Faces is $1 and at #55, Riptide is $1 and at #92. These books seem to be ebook versions of previously published books. However, they are published by the author and should count as self-published.
  7. Emma Jay – Eye of the Beholder is $1 and at #23.
  8. Carol Grace – Lonely Millionaire is $1 and at #32. This is rated only 3.5 stars.
  9. Peggy A. Edelheit – The Puzzle is $1 and at #35, Without Any Warning is $1 and at #91.
  10. Joan Reeves - Jane ‘I’m Still Single’ Jones is $1 and at #52, Just One Look is $1 and at #82.. 
  11. Cathy Wiley – Dead to Writes is $1 and #57.
  12. Christian Cantrell – Containment is $1 and at #78. This one’s really worth checking out.
  13. Kelly McClymer – The Fairy Tale Bride is $1 and at #94.

Some highlights – Each of the books is at $1. There are 13 indie authors in the Top 100. There are 20 books by indie authors in the Top 100.

What’s really interesting is that except for Simon Wood and J Carson Black and Christian Cantrell these aren’t the usual suspects. Very few of these indie authors have made it to the Top 100 before or have shown the usual signs of indie superstardom. Amazon has made them the chosen few for some reason that escapes me.

With Sunshine Deals earlier in the month, and this huge boost to indie titles now, Amazon is sending the Big 6 a message.

Could it be anything to do with a possible July announcement of the new Kindle Tablet and/or the new Kindle 4?

Why is Amazon suddenly making a huge push with these particular indie authors? There are so many indie authors who worked hard and clawed their way to the Top 100 or the Top 200 – Why not focus on them first?

How do you review a John Locke novel?

Read Saving Rachel and thought of writing a review but don’t really know how to write one. I really liked it. It was a quick read – perhaps just 1.5 to 2 hours. It was fun. It was likable. However, it’s not something that’s going to make it to the Top 100 list of best books you’ve ever read.

It was like watching a movie with one actor you really like and then realizing that the movie wasn’t all that good but it was fun because of that one actor (both Larry the Cable Guy and Dwayne ‘The Rock’ Johnson seem to specialize in this – making totally unmemorable movies that are quite a lot of fun to watch).

At the end of the novel it was abundantly clear why so many people love John Locke (his novels are fun and are a good read and are full of twists and turns and some genuinely funny moments) and why so many people dislike him (it’s hard to imagine his books winning any literary prizes, plus some of the things are beyond unbelievable).

If it’s possible (and it probably is) to give a novel 5 stars on fun and value for money and 1 star on lasting significance – Saving Rachel fits the bill perfectly. It’s like The Hangover in book form. It’s not going to help you understand the meaning of life (or the meaning of anything) but it’s still fun enough for you to feel the time is well-spent.

Difference between a $1 book and a $15 book

Here are some reasons why selling $15 books is better business -

  1. You can make a lot more money.
  2. You make readers feel its worth their time. If it’s $15, then it must be good and readers’ time is worth $X per hour anyways – might as well spend $15 on something that is ‘vetted’.
  3. You get readers invested – If they paid $15 they must read it, they must like it a little more than if they paid less, they must buy future books.
  4. You can provide higher quality. Spend 20% of the price on quality and you get $3 per copy sold.
  5. You set the book apart as a book for discerning readers.
  6. You can position the book as a luxury – indulge yourself; because you deserve it; you get what you pay for.
  7. Some Authors feel a high-priced book is like Viagra for their self-esteem.
  8. Scarcity. Readers feel not everyone can get it.
  9. Readers have to ‘sacrifice’ for the book and they are more open to appreciating it.

The main benefits revolve around earning more profits, having more money to put back into the business, and getting your customers much more invested in your book.

Here are some reasons why selling $1 books is better business -

  1. There is very little friction. It becomes an impulse buy for nearly everyone.
  2. You minimize regret – If the user doesn’t like your book, she has only lost $1.
  3. Your book isn’t a budget buster. No calculations required. No wondering whether the budget will be exceeded. 
  4. You can convert people who are ‘somewhat interested’.
  5. You get much better sales volume, which translates into higher sales rank and better visibility.
  6. You can convert people who don’t normally read that particular genre.
  7. You are providing more value for money so reviews are better and ratings are a bit higher.
  8. You make it easy for users and they appreciate it. On the flip side, the anticipation is gone.
  9. There are entire countries (India, China, most of Africa, some of South America) where $1 is like $4 and $10 is like $40. By going with $1 you double or triple the size of your potential market.
  10. If you have multiple $1 books, often people will impulse buy all or most of them.
  11. You increase the pleasure per dollar spent.
  12. You have a chance of making greater total profit due to much higher sales volume. You also risk the possibility that you will make very little profit despite higher sales.
  13. You increase the number of people who have access to your book. The actual number who read it may or may not increase.

The main benefits revolve around – massively increasing the size of your potential market, greatly reducing friction, providing a lot more value for money (minimizing regret, maximizing pleasure).

There are significant disadvantages – people are less likely to actually read your book, you lose ‘prestige’ and ‘exclusivity’, you lose some readers who think a low price must mean low quality, you run the risk of ending up with far less profit.

It’s not an easy decision. The one really interesting thing is that the $1 book and the $15 book set off each other – they make each other’s strengths more obvious and each other’s weaknesses more apparent.

There might even come a time when $15 books (via ‘quality’) or $1 books (via ‘value for money’) destroy the prospects of the other. For the moment, it’s a very interesting juxtaposition – Publishers pricing ebooks at $12.99 and $14.99, indie authors going with $1 and $2.99. At some point of time, things will break in one direction or perhaps two separate classes of books will be created. The risk for Publishers is that if indie books can improve quality (or if Kindle owners and Nook owners can do effective ‘curation’ via reviews) their offerings will get slaughtered.

The most significant event that no one is talking about

The Book Settlement was rejected.

The most controversial Book Settlement ever proposed was rejected. Judge Chin has made a marvellous decision and he’s a hero – if it’s not clear now, it will be clear to future generations.

First, some documents and links -

  1. Judge Chin’s Statement (PDF). 
  2. Caroline McCarthy’s Article on Judge Chin rejecting the Book Settlement

Next, my take – which is admittedly biased by the fact that I feel every creator should have a right to decide how his work will be used, and who can profit from it.

Key Parts of Judge Chin’s Statement

These paint a very good picture of why the Settlement was rejected.

The question presented is whether the ASA is fair, adequate, and reasonable. I conclude that it is not.

… would grant Google significant rights to exploit entire books, without permission of the copyright owners.

would give Google a significant advantage over competitors, rewarding it for engaging in wholesale copying of copyrighted works without permission.

Seriously, Judge Chin is my hero for looking past all the ‘Let’s Save the Penguins’ rhetoric. He recognized that this was basically Publishers etc. ’stealing other people’s work’ with the added bonus that it would create a monopoly for a company that already controls Search.

Would dead authors and people who have forgotten about their work want their work to benefit readers? Or would they rather that their work makes money for corporations?

The corporations are trying to have us believe that they are doing it to save baby seals who will be clubbed to death if the corporations don’t make money from other people’s work. What nonsense - We aren’t the TV generation, and we aren’t going to fall for infantile trickery.

Judge Chin points out that there are lots of benefits of the Settlement and then points out the objections from people opposed to the Settlement. He also gives his take on each (Judge Chin’s take in italics).

  1. Adequacy of Class Notice. The Class Settlement has a ridiculously huge ‘class’ – Pretty much anyone who owns a US copyright interest in one or more books and their heirs and successors. A lot of these class holders were not given adequate notice. Judge Chin rejected this argument.
  2. Adequacy of Class Representation. Interests of some class members, such as foreign rights holders, are at odds with interests of Publishers and Google. Judge Chin agreed with this -

    I conclude that there is a substantial question as to the existence of antagonistic interests between named plaintiffs and certain members of the class.

  3. Scope of Relief. The Settlement would create a ‘forward-looking’ business arrangement. Judge Chin agreed with this objection, i.e. the Settlement doesn’t just address Google’s copyright violations, it also transfers certain rights to Google.

    As articulated by the United States, the ASA “is an attempt to use the class action mechanism to implement forward-looking business arrangements that go far beyond the dispute before the Court in this litigation.” (DOJ Statement)

    Judge Chin goes on to say that this is a matter for Congress, that the Settlement would release claims well beyond those currently being contemplated, and that interests of certain rights holders (like academic authors) have not been considered.

  4. Copyright Concerns. Violations of the Copyright Act because the Settlement pretty much runs roughshod over existing copyright laws. Judge Chin pointed out that the ‘opt-out’ nature would allow Google to exploit rights of authors who have not agreed to give up their copyright, that copyright is better suited to Congress, etc. The strongest point was that a copyright holder would have to take action to prevent losing rights – which you have to admit is pretty absurd. This is one snippet that is interesting -

    it is incongruous with the purpose of the copyright laws to place the onus on copyright owners to come forward to protect their rights when Google copied their works without first seeking their permission.

  5. Anti-Trust Concerns. Google can sell subscriptions, sell books, sell advertising in books, and make other uses. While this is non-exclusive, it does, in effect, give Google a monopoly over orphan books and perhaps even digital books. A monopoly over orphan works and the Settlement would further strengthen Google’s dominant position in search. Basically, and these are my thoughts, it would give Google an almost unlimited supply of high quality content to use – content which other search engines would not have. Judge Chin is clearly concerned about the anti-trust aspects and about the advantage this would give Google in search.
  6. Privacy Concerns. Google would collect all this information about people who read books. Judge Chin says the privacy concerns are real but not enough in themselves to reject the settlement.
  7. International Law Concerns. The Settlement would, according to some foreign authors, violate International Law. Also, it would favor rightsholders from certain nations. Judge Chin sums up his concern here succinctly -

    The fact that other nations object to the ASA, contending that it would violate international principles and treaties, is yet another reason why the matter is best left to Congress.

So Judge Chin considers 5 out of the 7 concerns to be valid.

Judge Chin’s Conclusion

Here it is -

In the end, I conclude that the ASA is not fair, adequate, and reasonable.

As the United States and other objectors have noted, many of the concerns raised in the objections would be ameliorated if the ASA were converted from an “opt-out” settlement to an “opt-in” settlement. I urge the parties to consider revising the ASA accordingly.

There couldn’t be a harder slap in the face for the looters. If you want to steal other people’s work – first, you have to get them to opt-in. It’s absolutely delicious – Google thinks everyone’s an idiot and doesn’t understand the huge difference between opt-in and opt-out – Judge Chin just smacked them right across the face.

My take on Judge Chin rejecting the Settlement

Google and Publishers were trying to build a nice little monopoly for themselves. Which would lock out any other companies interested in ebooks and would take advantage of authors. Unfortunately, for them, Authors and Rival companies didn’t fall for the ‘Saving Penguins’ nonsense and objected and opted out and destroyed any chance of Publishers+Google getting away with this monopoly creating Agreement.

Judge Chin made an amazing decision. Notice his recommendation – Change it to an ‘opt-in’ instead of an ‘opt-out’. That’s brilliant. That ensures that only authors who actually know what the settlement is, and agree voluntarily to participate, are included.

The Huge Ramifications of the Book Settlement Rejection

Judge Chin’s rejection of the Settlement deals a heavy blow to Publishers and Google -

  1. It kills Publishers hopes of a Divide and Conquer strategy. Without something like exclusive rights to all orphan works they have no way to slow down Amazon and B&N.
  2. It significantly weakens Google’s dual hopes of a subscription based approach and of books supported by advertising. Both approaches depend heavily on having access to books other companies don’t have access to. They also depend heavily on offering orphan works as cheap throw-ins. No one ever considered the possibility that Google might just throw in these for free or very cheap to gain an advantage – that Google might have no interest at all in making rights holders any money.
  3. It means that Amazon and Apple and B&N are safe. Publishers & Google do not get a permanent monopoly on orphan works – an advantage which no other company would ever be able to match.

Publishers intended to use the Settlement as a way to empower Google and turn the eBook Wars into a three-way tussle between Amazon and Apple and Google.

Google intended to use the Settlement as a way to introduce the virus of advertising-supported Free into the world of books. Note that 96% of Google’s revenue is advertising - it’s naive to assume that Google intended to focus on generating viable revenue for authors. It just wanted YouTube Part 2.

Google was extremely interested in giving away books and orphan works for free and very cheap (as part of subscriptions). It had little interest in maintaining the value of books. Why? Because enough pennies and they add up to something that even Google finds sizeable. Of course, authors would have their work devalued – But Google doesn’t care because pennies added up across all authors’ books leads to a lot. Who cares if authors starve?

A Win for Readers and Authors

Middle-men always have big promises – we are preserving books for future generations, we are letting authors make money from books that are out of print.

The truth is that middle-men are always leeches and parasites trying to take advantage of naive readers and gullible authors. Why try for an ‘opt-out’ agreement? Why try to make money from orphan works when the rights holders can’t be found? Shouldn’t those works be given away free?

Publishers and Google were creating a huge monopoly for themselves. Judge Chin saw through all the lies and hypocrisy and suggested exactly what the Settlement should have been – Valid only for authors who agree to participate.

All the layers between Authors and Readers are being stripped away. Platforms are useful and Apple and Amazon are earning their 30% cut. However, leeches that try to forcibly take the works of others and sell them for profit have no place in the New Publishing World.

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